“Riveting”

Undeniably

~ Chicago Sun Times

At A Glance

Baritone Ethan Vincent opens the 2024-25 season singing the title role in Don Giovanni for Virginia Opera conducted by Adam Turner and directed by Kyle Lang. Mr. Vincent returns to the Lyric Opera of Chicago to cover the title role in Le Nozze di Figaro under the baton of Erina Yashima before returning to Virginia Opera to take on Guglielmo in Così fan tutte. He then joins The Metropolitan Opera to cover Schaunard in La bohème in the famous Franco Zeffirelli production with Riccardo Frizza on conducting duty. In the previous season, he made a house and role debut as Leporello in Don Giovanni with San Diego Opera led by Yves Abel and directed by Kyle Lang before being reunited with director Francesca Zambello for a house debut with Washington National Opera singing the Chancellor (aka Ping) in a new production featuring an added world premiere prologue and ending of Puccini’s Turandot conducted by Speranza Scappucci at the Kennedy Center. Mr. Vincent covered the role of Riolobo in Mary Zimmerman’s new production of Daniel Catán’s Florencia en el Amazonas with music director Yannick Nézet-Séguin on the podium at The Metropolitan Opera.

  • Nighttime view of a large fountain with pink water jets in front of a modern building with arched windows and illuminated interior.

    Upcoming Engagement

    The Adventures of Kavalier & Clay

    Metropolitan Opera

    Salvador Dalí cover

  • Recent Engagement

    La Bohéme

    Metropolitan Opera

    Schaunard cover

“Wonderfully expressive”

“Magnificent baritone with charming seduction”

-Journal Sentinel

-Boston Intelligencer

“Velvety baritone”

-Washington Post

Listen

Riolobo in Florencia en el Amazonas

Lyric Opera of Chicago

A man sitting on a wooden platform with scaffolding, in a stage setting with dark background. He is holding onto the scaffolding with one hand and resting his chin on his other hand, looking thoughtful.

“Vincent’s physical agility propels his movements as he drapes himself along parts of El Dorado…His vocal pronouncements are matched ardently to these repeated lithe movements.”

-Opera Today